The Cyanometer by Martin Bricelj Baraga is a monument to the blueness of the sky. It is inspired by the original cyanometer invented by Horace-Bénédict de Saussure. His cyanometer - a blue color wheel, forms the core of the monument, gently directing our gaze back to the sky.

Netaudio [2006 - 2011], the UK’s foremost festival dedicated to the musical sounds of the Internet promotes the creative output of musicians, who use digital and network technologies to explore new boundaries in their work and actively supports the development of new talent.

BBC Research & Development is the national technical research department of the BBC. It has responsibility for researching and developing advanced and emerging media technologies for the benefit of the corporation, and wider UK and European media industries.

An exploration in perception and phenomenology which considers audiovisual art as a participatory experience. Involving multi-sensory projection, optical sheeting, reflection, lighting, and sonic composition, ‘Your Double My Double Our Ghost’ extends Golding’s fascination with the Double and Other, breaching both psychiatry and fiction.

A new immersive audiovisual performance, taking the audience on a hallucinogenic dark carnival ride exploring the slippage between parapsychology and technology.

Primitives is a performance based opti-sonic installation. A DVD of short films, 12” vinyl of audio interpretations, source code and executable software were released by the excellent Broken20 imprint in 2014.

Since launching back in 2011, London’s Unconscious Archives established itself as a leader in London’s leftfield arts and music circles, welcoming over 70 artists across 25 events.

Decompression unravels in the spirit of a ‘happening’ – an encounter between audiences, space and the elements of cinematic abstraction, explored via the artists’ longstanding interest in expanded cinema and sound system culture.

I’m currently undertaking a research & development project investigating the use of XR technologies to create an immersive art installation.

Unwrap a world of imagination with Oily Cart’s mischievous, wintery show for under fives. Magical characters, hilarious creatures and hidden lands are brought to life through light, shadow and music. Join us as we uncover the sensory stories hidden in scrunched up paper, and create your own after the show.

Assembly Now [online] uses the interface of the mirror to elaborate the psychology and technology of emergent algorithmic software, which functions as a contemporary screen filtering our emotions.

We’re very pleased to announce participation in this year’s Innovate UK Creative Industries Fund! Our application is to undertake research and development of two prototype eXtended Reality (XR) experiences, with a particular focus on 3D sound.

The Situationists’ Walkman - a digital dérive, playing out within a small area of East London around Arnold Circus. An updated version of the Situationists’ vision using audio led exploration of the urban environment that prompts us to reconsider our relationship to this constructed or delineated space.

This post follows on from our introductory entry where we introduce the project goals and concepts and present our findings. It is intended for a technical audience and takes a deep dive into the process.

An in-depth look at the audio engine used in building out the audio AR experience.

We’ve collaborated with Call & Response Studios on many occasions over the years, most recently mixing spatial audio productions at their glorious 360° listening space. The 32.3 ambisonic / 9.1.4 Atmos Genelec monitoring system is currently situated amongst the vibrant artist studios in Somerset House.

We’re collaborating with Call & Response to deliver “Music In The Metaverse” - a Creative Catalyst 2024 funded initiative that will lower the barrier to entry for audio creatives wishing to work with immersive virtual environments or real world installations with interactive visual content.